86-Ezra

Artwork Post – Long Overdue

I’m so sorry, guys.  I didn’t mean to wait this long!  Initially, I had very little artwork to post; then I got busy; then I got sick.  But when sick, I always get the urge to draw (putting the down time to good use, I guess), so behold an avalanche of artwork!

A couple of weeks ago, I picked up a colored pencil tutorial book at Hobby Lobby and studied it thoroughly.  One technique looked interesting: laying down the values of the drawing with a black (or brown) pencil before adding color.  So I gave it a try…

The black-and-white values as the first layer…

…and here’s the finished product!  I like this technique!  Though it’s not the only one in the book; I’ll try some of the others later.

Another pencil drawing with the same technique (called “grisaille”), except this time, I used a black pencil to draw the values of the trees and a brown pencil for the values everywhere else, since the rest of the picture wasn’t supposed to be as dark.

The book also explained how to get rid of that white-ish waxy buildup that happens after several layers of color: rub the picture, lightest parts first, with a cloth or paper towel until the colors are uniformly smooth.  It’s one way to get rid of the sketchy pencil look that I complained about in my New Year’s artwork post.

Sloppy doodle of Charles Darnay on computer paper, done while listening to A Tale of Two Cities musical soundtrack.

Sketch of James Barbour as Sydney Carton, done while watching A Tale of Two Cities concert (and simultaneously dying inside of feels).

Slightly crooked drawing of Lennox, my character from Empty Clockwork, laughing at something.  He’s a generally cheerful fellow.  🙂

Drawing that I intended to be Mary, from my western story, but it didn’t turn out quite the way I wanted.  So it’s just a random girl putting her hair up.

It’s a head canon of mine that Susan Pevensie reads her mother’s old Good Housekeeping magazines, so here Susan is, curled up and studying household economy.  Also, I drew that pose entirely from my head with no reference!

Although I chickened out at drawing feet and so covered them with the blanket.  🙂

Once the children grew up in Narnia, Lewis describes Susan as “a tall and gracious woman”, so here she is, welcoming visiting dignitaries or ambassadors, or people like that (and hey, at least I tried to draw hands!).  I don’t see Susan being a flashy dresser or weighed down with elegance and jewelry; she’s sensible and practical, and would probably favor a sensible and practical style, though also one that befits her rank.  The place she would splurge with ornaments, however, would be her hair; you have all that gorgeous hair, and you’re going to want to do something special with it.

The Pevensies and Caspian discover fanfiction of their stories.  From left to right: Caspian, Edmund (standing), Peter, Susan (also standing), and Lucy.  Behold also my awesome back-of-the-computer-screen drawing skills (haha), though I am inordinately proud of that mouse and mouse pad, for some reason.

Drawing may or may not have been inspired from a real life pet peeve.  🙂

That’s all for now!

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86-Ezra

Weekly Artwork Round-Up

No point in calling it Artwork Wednesday, because this post is (a) not featured on Wednesday, and (b) ridiculously late.

One art problem I’ve faced recently is how to deal with reference photos. Printing every photo I want to draw from uses a lot of paper and ink. Sketching with my laptop precariously balanced on my knees is not only bad for the laptop and my arms and legs, but eraser crumbs get between the computer keys. So…why don’t I just rest the laptop on a table? Because I hate, hate, hate people seeing the reference photo on the screen or seeing my drawing when I’m first sketching. It’s not so bad if the drawing looks like a human with clothes on, but before I get the sketch to that stage…

Anyway, I have  five pictures to show this week!

First up is Sanchia, a character from my semi-western story with a working title of Gentle Fire.  I picture Sanchia so vividly that it was great to capture that on paper more or less easily!  Also notice that the wool skeins drape over her wrists so that I don’t have to bother drawing hands like yarn skeins do in real life.  Especially since she’s paused her work to listen to someone talk.

This is the cabin that Durant and his family live when they first move to the western colonies.  The table is just slabs of wood set on sawn logs, and there are no proper shelves, cupboards, or even beds yet.  But it’s their own house on their own property, and that’s enough for them once they survive the journey.

Nonetheless, Wilson promised to build proper shelves and beds as soon as possible.

I drew this with charcoal–and there’s a funny story to go along with it.  Ever since I began drawing, Dad tried to get me interested in charcoal drawing, because we had a kit and tutorial series somewhere in our detached office.  I was too busy learning to use pencils, however, to turn my attention to charcoal.  Fast forward a couple of years to when I bought an art set only for the little art mannequin to use for drawing poses.  But charcoal pencils were included in the set–and out of random curiosity, I used them to draw this.  And–

I. Love. Charcoal.

I promptly informed Dad about this and thanked him for mentioning that medium and the art set out in the office.  And for the record, my parents are right 99% of the time.  🙂

My brother Chris suggested I draw concept art for my story to get an idea of the atmosphere and aesthetic–so I took his advice and started watercolor sketches in my leather sketchbook.  This is the rancho of another character: Barros (father of Maria, whom I mentioned here, and Teresita, whom I haven’t mentioned yet. 🙂 )

Another watercolor sketch, this one of the books Durant brought to the west.  The bottom one is a book of natural science; the next one up is a biography; the third is a small volume of poetry; the fourth is a novel of some sort; the fifth is  a brief history of the nation; the sixth (the long, grey one) is a primer; and the topmost book is Durant’s personal record book where he jots down financial information, a brief description of the day’s events, and sometimes his nephew’s antics.

Speaking of nephews, here’s Alex, Durant’s eldest nephew.  With his uncle’s hat on his head–Durant has a habit of dropping his hat on the head of whichever nephew is nearest!

Part of me wants to draw Lennox again, and get back to A Tale of Two Cities fanart–but I can’t stop drawing my Gentle Fire characters!  So who knows what artwork I’ll have to showcase next week!

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86-Ezra

Artwork Wednesday – Back to Watercolor!

Before my watercolor painting frenzy began, I drew a couple of pictures with dry media.

I drew this in the car.  The highway was a long smooth stretch, and so I was able to sketch without worrying about bumps in the road.  And without getting car-sick, which is the real miracle.  🙂

This is my character, Mary, (from the semi-western story) and half of a quote from Pinterest.  The full quote says:

“Typical MBTI Description: INTJs are the cool-headed geniuses of the 16 types.  With their love of objective reasoning and  uncanny intuition, no one can fool this intellectual mastermind.  Actual INTJs: Where are my socks?”

Which is definitely Mary, so here she is, a bit confused.  Although she does use objective reasoning and generally points out the principle or detail that everyone else missed.

I started this one weeks ago, got extremely close to finishing, and therefore, didn’t bother finishing until now.  *headdesk*  Yet another victim falls prey to the “Oh-there’s-plenty-of-time” mindset.  Anyway, I absolutely loved painting all that mist in watercolor–it was difficult keeping an eye on the paint to make sure it didn’t drift into an area where it shouldn’t–but the work paid off!

A tulip tree blossom.

Some daffodils that didn’t turn out quite as detailed as I’d hoped.

But while painting the daffodils, I watched The Fellowship of the Ring–and got a sudden urge to paint a Shire landscape.

So I did.  This is a very small painting, maybe 3″x5″, but that may have actually helped me not go overboard with detail.

That’s all for now!

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86-Ezra

Artwork Wednesday — Finally Back!

Finally!  Yes!  It’s been way too long!

This week, I went back to pencil-and-paper artwork, and it was so good to draw again.  🙂  Before picking my pencils up again, I spent a good deal of time crocheting….

In my last Artwork Wednesday post, I showed the start of a new stitch I was learning.  Here’s what I made with that new stitch: another potholder!  It was good practice for my next project…

…a baby blanket!  This is for a friend at church, a mother that my sisters regularly babysit for.

Then I made another blanket…

…for my brother Emmet.  It’s a Lego blanket–can you tell?  🙂  I had so much fun making this!

Then I started another blanket…

…this time for myself.  🙂 It will be a Christmas afghan.  I actually made one years ago, but that was before  knew what I was doing!  So it was high time to re-do it!

Then I picked up my pencils again and embarked on a fun frenzy of drawing characters from one of my works-in-progress!  Not the steampunk story, but my semi-western.

Okay, I’m tired of calling it that.  The working title of this semi-western is Gentle Fire.  Working title, mind; I’ll probably change it later.  (I’m terrible at titles.)

This is Wilson and Mary, Durant’s brother-in-law and sister.  (More about Durant and his family here and here.)

And here’s Durant!  He’s doing secretarial work of some kind.  Or maybe writing a letter; he handles most of the family’s correspondence because neither Mary nor Wilson care much about that.  Nor do they have much literary talent (Mary is educated and articulate, but can’t be bothered to write anything down).

Have I mentioned desert sunsets are my new favorite subject to draw?

That’s all for now!

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86-Ezra

Artwork Wednesday

Artwork Wednesday is finally back!  There isn’t much to show, I’m afraid, because I often have to choose between art and writing each week.  I’ll have to see if I can fix that and do a little drawing and a little writing each day.

In the meantime, here’s what I did over the last couple of weeks.

This picture was actually finished weeks ago, and I forgot to upload it.  I found some colored pencil tutorials online and used the technique in those tutorials for this picture.  In short, the technique requires many layers and washes of color.  It reduces the “sketchy” look that I complained about in my year-end art roundup, but it also whittles my pencils down really fast.  🙂

Then last week, I returned to watercolor painting…

With this painting, I didn’t worry to much about details and laid down the colors and shadows loosely.  Which was one of my New Year art goals–to quit refining artwork into oblivion.   And this turned out rather well, and I hope it marks the start of a journey out of perfectionism.  🙂

This was supposed to be a nice, sunny, warm painting, and ended up looking more like a summer gothic detail.  At least I figured out how to create really dark shadows in watercolor.

Another suggestion from Chris!  It was a good one–and he’s inadvertently helping improve my skill by suggesting varied subjects.  He also wanted me to draw another picture of Bucky (which is sketched and awaiting refinement) and another picture of Batman.  And then Gingersnap wants me to draw Poe Dameron.  I hope to have those completed before too long!

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86-Ezra

Beautiful People Meme – Lennox

I’m joining the Beautiful People meme for March!  Beautiful People is an ongoing tag/blog meme that helps you get to know your characters by providing lists of questions to answer.  It has worked so well that I use that list of questions to develop every one of my own characters.

And the character I’ll feature today is Lennox.  He’s from my steampunk story, which is actually a cross between steampunk, social sci-fi, and hard sci-fi.  To complicate things further, I’m not actively working on that story either, just jotting ideas and plot notes as they come.  But Lennox’s character is pretty well developed by now, so he gets a spotlight.

If he looks like a friendly and easygoing fellow, that’s because he is.  Until you limit his independence.  Also, Lennox is his Christian name.  It was his mother’s maiden, an idea I stole borrowed from Wuthering Heights.

1.) What’s his favorite book/movie/play/etc.?  Lennox reads anything he can get his hands on (and if he lived in the modern day and age, he would be that person up until midnight reading random, but interesting, stuff on the Internet), and he has lots of favorite volumes.  Many favorites are non-fiction works about chemistry and astronomy, and others are character-centered fiction stories, such as Middlemarch.  A few favorites are biographies of social figures and scientific men.

2.) Is there anything he regrets doing?  He sometimes regrets moving to London.  He went there to live with his grandfather, and also hoped to meet men of science, to learn more about what was going on the scientific world and to have more time for study and research.  But he often feels homesick for Cambridge.

3.) If he were sick or wounded, who would take care of him and how?  When his mother was alive, she would care for him by making him tea or broth.  (I haven’t researched late-Victorian medicines, so I’m not sure what else.)

4.) Is there an object he can’t bear to part with and why?  He would be upset if an accident befell his cat.  Lennox is not an animal-lover per se, but the cat was a half-starved, shivering stray that he accidentally stepped on while hurrying home one night.  Once he heard the animal cry out and saw how pitiful its condition, he couldn’t ignore it.  So he took it home and gave it food and a box to sleep in.  (And later burned the box because the cat turned out to have fleas.)  After initial recovery, the cat went back to its alley life, stopping by Lennox’s house every now and then for food.  And wandering in and out as it pleased.  And finally making its home on the corner armchair near the hearth and letting itself be a house pet.

5.) What are 5 ways to win his heart (or friendship)?  1.)  First and foremost is to respect his independence: to let him make his own choices and to let him fulfill his curiosity (within reason–he habitually explores places or situations that he probably shouldn’t).

2.)  To talk with him, to be honest and intelligent, and to keep the conversation going.  Double points if you’re interested in scientific pursuits, but Lennox can talk about anything provided the company is at ease and informed.

3.)  Loyalty and companionship.

4.)  Working with him at something interesting or important, some investigation, research, or chemical experiment.  Lennox prefers to work with a companion and appreciates anyone willing to share his interests.

5).  And to accept him as he is, not try to pressure him or fit him into a mold (or abandon him because he doesn’t fit)

Anybody care to guess his MBTI personality type now?

6.) Describe a typical outfit for him from top to bottom.  This honestly depends on whether he is with his grandfather in London society or by himself.  In social situations, he will be dressed like a Victorian gentleman in the appropriate shade of black or brown, with accessories of hat, gloves, and cane.  (Which he does not like to carry around.)  In the privacy of his home, Lennox doesn’t give a rip about correct social attire and dresses way below his station in whatever is comfortable.  Some of these outfits are out-of-date or a little shabby, and he discards his coat and rolls up his sleeves whenever possible.

7.) What’s his favorite type of weather?  Sunny, but cool, afternoons.  Perfect for taking a walk or sitting outside with friends.

8.) What’s the worst fight he’s ever been in?  Before the story starts, you mean?  *rubs hands evilly*  He was a student at Cambridge, and older students thought he was the never-put-up-a-fight type and ordered him around.  Lennox complied when he could and refused when the demands interfered with his studies.  Matters finally came to a crisis; the bullies demanded that Lennox do X instead of show up to the lecture on time.  Lennox refused, and the bullies threatened to make his life miserable if he didn’t obey.  Lennox pointed out they already had by their demands, and one bully punched him.  And then abruptly discovered that Lennox was perfectly capable of fighting back.  All parties involved got into trouble for the fight–but Lennox had no more trouble with those idiots for the rest of the term.

9.) What names or nicknames has he been called throughout his life?  He is called by his surname by colleagues at Cambridge, and his his family calls him by his Christian name.  He doesn’t have any nicknames.

10.) What makes his heart feel alive?  Figuring out the answers to a problem.  Being neck-deep in experiments and research.  Deep conversation with a friend.  Exploring and discovering.  Trying new things.

And his personality type is ENFP, though unlike the stereotype, he can sit still and focus on things that don’t interest him.  He was fully prepared to work for his living under his own discipline and industry.  And even his own explorations and interests benefit from order every now and then.

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86-Ezra

Artwork Wednesday

Artwork Wednesday is back!–after a hiatus in which I spent more time writing than drawing.  Funnily enough, last week was just the reverse: more drawing than writing.

Anyway, one project I finished a couple of weeks ago isn’t pencil-and-paper art, but a second attempt at colcha embroidery.  The the result was much better than the first:

Colcha is fun, and the texture of short and long stitches is unique.  But synthetic yarn was really hard to use, so I looked up the price of 100% wool yarn and whether art stores in my area carried it.  And blinked at the screen in disbelief when the results were (a) ridiculously expensive and (b) largely unavailable to boot.  Synthetic wool is apparently cheaper to produce, and therefore more abundant in stores.  So I may just keep using the yarn I have for colcha, however inaccurate that might be.

Quick drawing of theatre curtains and a stage, artwork for my 10 Favorite Musicals link-up.  It only now occurs to me that I could have used stock pictures.  But I guess it’s good that I was willing to do the artwork myself.  🙂

Doodle of a gingerbread house.

I love drawing oranges.  Layering the colors is fun, and oranges are just so bright and perky.  Plus, they’re more interesting to draw than a plain sphere to practice light and shadow and so on.

For Christmas, I got the Alamo 2004 film guide (my preccioussssss!!!) and after reading almost the whole thing that same day, I decided to draw the characters using the photographs inside as reference.  This is Jason Patric as James Bowie.  As I finished up the sketch, Chris sent me a text from across the living room: “Dat drawing, tho.”  🙂

I made an interesting discovery with this project: I sketched this with a 2B pencil instead of H or HB–and not only did the 2B contribute to the rough appearance of the character, it helped me lay down really dark shadows.  With 2B as one of the lightest values, I used much darker leads to get the shadows to contrast properly.  Which was a nice discovery; previously, my drawings were pale, as if I was afraid of putting down bold shadows.  I wasn’t–and couldn’t figure out why my shadows weren’t dark enough.  It was because thelight values were too light and therefore didn’t require enough contrast to make the picture stand out.  *files information away for later*

Patrick Wilson as Travis.  I drew this using the same technique as with Bowie’s portrait: sketching with a 2B pencil.

The funny thing about these two characters is that a rough, dark, sketchy look works for Bowie because of his personality (and the actor’s face structure).  But that style doesn’t work for  Travis for those exact same reasons (personality/actor’s appearance) and I had to shade lightly and blend the graphite carefully to get this to look like Travis.

A new item on my list of Favorite Things to Draw is cacti silhouettes against a desert sunset.  (Oranges are also on that list, as well as Sydney Carton.  🙂 )

You know those drawings that are basically three blades of grass on a white background, yet the artist sells half a million prints of that on Etsy?  Well, I decided to draw my equivalent; it’s supposed to be a cherry blossom, but the petals don’t look quite right.  Cherry blossoms are beautiful, though, and so I’ll probably try this subject again later.

I also started weaving a little bag to carry around my art supplies so that they won’t end up piled on the bookshelf every night.  I’m using rug yarn (a thick, tough kind of yarn, if you don’t know) so that the bag will be durable enough to be carried around everywhere.  Once I’ve woven all the pieces, I’ll stitch them together and see how it works!

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86-Ezra

Artwork Wednesday

Not a lot of artwork to show this week, but it’s because the pieces I worked on were difficult–and I even redid some.  Hopefully, there will be more artwork next week!

Sydney Carton?  Who’s that?  Not someone I mention often, is it?  🙂  Actually, I’m playing around with outfit ideas for  him.  I’ve always pictured him in green, for some reason, and decided to use symbolism in the color: green represents life, renewal, rebirth–but I put him in a muddy shade of green to represent his decayed hopes and ambition.  Brown is often associated with down-to-earth, wholesomeness, dependability–and that’s the color of his waistcoat, the hidden layer of both his personality and outfit.

The line art for this had been sitting in a folder for months, but I finally finished it.  And also discovered that my watercolor penmanship is sloppy.  🙂

Another pastel paper painting, this time blue paper with indigo watercolor and white gouache.  The scene is one I’ve had in my mind for a long time, though I don’t know where it came from.  Maybe I’ll work it into a story someday, like C. S. Lewis did with his image of a faun walking through a snowy wood.

Creative chaos, and a preview of another work-in-progress.  🙂

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86-Ezra

Picture Wednesday

Temporarily changing these posts to Wednesday; not sure it will stay that way, but the middle of the week seems like a good time to show what I’ve already accomplished and to prompt me to continue drawing through the rest of the week.

The first piece of artwork is brought to you by New Year’s Day itself.  The name of the piece is *drumroll*–“Mankind’s Greatest Achievement: Seedless Strawberries.”

Also known as “My attempt to make it seem like leaving seeds off the strawberries was a thought-out choice, not an aspect I simply forgot to add.”  And I’m just kidding about those titles.  The title of the drawing is actually “Strawberry sketch”.  Because titles pour from ‘neath my typing fingers with the eloquence of the ages.

Along with sarcasm.  🙂

 

I’m proud of this painting because I sketched the line art and painted the scenery entirely from memory.  I wanted to capture the fresh, green color of tree leaves against grey clouds.  And on the paper, the trees are a cool green, and the clouds are a warm grey, but for some reason, the digital screen scrambled the colors.  Oh, well.

 

Now this was a mixed media experiment.  I used Sepia watercolor and white gouache on toned pastel paper.  To my surprise and delight, the pastel paper held the paint quite well, well enough to handle several washes before the paper started peeling.  Also to my surprise, though the paper wrinkled when wet, it dried completely flat.  (What looks like buckled paper in the scan is actually how the paint pooled and dried.)  This may become my new favorite technique–it has the look of my graphite/toned paper drawings, but the fluid smoothness of watercolor.  And Enkie says this painting looks rather like one of those old-time sepia photographs.

 

Now that autumn is over, it makes sense to paint an autumn picture, right?  Actually, I stumbled across the line art for this in one of my sketchbooks; I had scribbled this landscape months ago and then forgotten about it.  It’s a pleasant surprise to find good artwork while spring cleaning your supplies.

 

Originally did this in colored pencil; finally rendered it in watercolor.  And once again, the watercolor version is my favorite.  Maybe I’d better figure out what subjects or landscapes I prefer in colored pencil…

I used a technique called “glazing,” which is painting over one color with another.  In this case, glazing pink over yellow and then indigo over pink created more vibrant bands of color than using pre-mixed colors of orange and blue-violet.  I’d used the glazing technique before, but not for a whole painting, and not with such brilliant results.  *adds technique to art knowledge arsenal*

 

Another free hand, New Mexican landscape, and a painting that I like much better than my last attempt.

That’s all for now!

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86-Ezra

Picture Saturday: Year-End Art Meme!

First off, a schedule change: I might move my Picture Saturday posts to another day of the week, as I often have a lot of time to draw on Saturday and Sunday.  It makes no sense to post before I have the most time to draw, but I haven’t yet decided which day to show the week’s artwork.

On a totally different note, I went through my folder and sketchbooks the other day and found a shamefully large number of unfinished sketches.  So I’m going to make an effort to finish those before taking on too many new drawings.

And leaving “too many” unspecified creates a handy loophole to exploit.  🙂

Until I get the old stuff finished, all I have to show this week are two paintings.  The first is a freehand…

…meaning, remember, that there’s no line art.  I adapted the landscape from a photograph on my “West, Pioneer!” Pinterest board, and I think the painting turned out pretty well.

The other painting is this…

…one that I rendered in colored pencil, but thought would also look good in watercolor.  And I like the watercolor version better than the pencil version.  Not bad for my first time painting a Mexican character!

But since that’s not much art, I decided to create a year-end art meme.  Feel free to fill it out yourself if you want, but I officially tag Julia, Bella, and Treskie!

Rules:

1.) Insert a picture of your artwork (or quote, if you’re a creative writer) from this year to answer each question.  If, however, you don’t have a picture or scan, or don’t have one of good quality, you can describe the piece.

2.) Drawings and paintings aren’t the only artwork to showcase–you can include pictures of sculptures, jewelry, sewing, knitting, set design, dance, quotes from your writing, anything that requires creative energy.

3.) Tag someone else!

First piece of artwork/writing/performance done in 2016

A colored pencil sketch of the yellow and green rings from The Magician’s Nephew.  I like the way the lighting on the green ring turned out.

Last piece of artwork/writing/performance done in 2016

This one.

Unless I sketch something else right before midnight.

A new medium/style/technique you tried this year

White pencil on toned paper!  I love this mixed media combination because it creates easy shadows and highlights, and it’s easy to sketch on because the colored paper hides accidental dark marks better than white paper would.

For those of you just joining us, those characters are Sydney Carton and little Lucie from A Tale of Two Cities.

A pose you’d never drawn before (or just something in your creative field you’ve never done before)

Actually, I drew several new poses this year:

This is Charles Darnay from A Tale of Two Cities.  I drew a lot of TTC fanart this year.

I discovered with this picture that colored pencil also works on toned paper.

The piece of artwork that others liked the most

Probably this one of Micheal Maguire that I drew for Gingersnap.

Your personal favorite piece from 2016! (Explain why!)

This one, hands down.  It’s my personal favorite because, come on, it’s cute!  (Can I say that even though I drew it?)  Also because I managed to draw a baby that actually looks like a smiling baby and not some weird, more-horrifiying-than-cute humanoid face.  And thirdly, because I drew two of my characters in a pose I’d never tried before, and it turned out “surprisingly okay,” in the words of Sherlock.  🙂

3 things to improve in your artwork in 2017

1.)  Well, I want to improve my colored pencil technique.  It often ends up sketchy when I wanted it smooth, and I often can’t get smoothly blended colors or really dark shadows.  Maybe I need to learn better control?  I dunno.

2.)  Learn sketch more quickly.  The jury’s still out on whether I can but just get caught up in drawing/perfecting details, or whether I truly need to learn this.

3.)  Further polish my watercolor technique.  Specifically, learn to layer color better and to paint a little more loosely without refining details into oblivion.

I’m a perfectionist, in case you couldn’t tell.

Other things to improve: more complex poses, more varied facial expressions on fanart and my character drawings, more figures in one drawing, and more complicated backgrounds.

3 new things to try in 2017 (such as styles, mediums, poses, backgrounds, character to draw, contests to enter)

1.)  More fluid and watery watercolor technique (without obsessing over depicting perfect details).

2.)  Draw and refine my characters’ appearances, facial expressions, and activities.

3.)  Drawing and painting bokah (out-of-focus backgrounds) with an in-focus foreground object.

What do you enjoy most about creating?

The moment when the messy sketch begins to look like the image or character I want!  And of course, the finished product!

 

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