55-Thwarted Steps (Dr. Jekyll)

Favorite Character Types

I loved Chelsea’s post about her favorite types of characters, and she kindly let me borrow the idea for my own blog!  These are the folks I most enjoy reading about:

The Principled/Steadfast Fighter

Captain America is probably the poster boy for this type!

This character may fit into the generic “good guy” category, but his (or her) defining feature is dedication to what he believes is right.  Characters such as Captain America, John Blake from The Dark Knight Rises, Jarrod Barkley from The Big Valley, Jane Eyre, Fanny Price, Peeta Mellark from The Hunger Games, King Tirian from The Last Battle, and Puddleglum from The Silver Chair.  (Gloomy as Puddleglum is, when things are on the line, he’s steadfast in his principles!)

And this kind of character doesn’t always win the battle–Travis from The Alamo is this type (though, in a twist, definitely not a generic good guy).  But while winning the battle is important, for this character, doing what he believes is right is the ultimate fight.  And I love these kinds of characters because they give me hope, inspire me to stand up for my principles.

The Gentle/ Good-Hearted Fighter

Hugh Dancy as Daniel Deronda from the 2002 mini-series.

This is the guy who may seem like he’s too mild or gentle or soft-hearted to fight–but for these guys, Good Is Not Soft.  This is the character who cares deeply about his world, his loved ones, and his morals, and because of that deep love, he fights as fiercely as any hardened warrior.  Frodo and Faramir from The Lord of the Rings are the prime examples, but others are Jean Valjean, Samuel Diggs from Mercy Street, Igor from Victor Frankenstein, Fanny Price (again), and Bilbo Baggins.  Possibly also Daniel Deronda.  Steve Barton’s portrayal of Raoul also fits this category.  Just listen to his rendition of “All I Ask of You”–he’s understated, but earnest, and you can tell that he’d be willing to walk through fire for Christine.

This character is a subset of the principled fighter, but I enjoy this type because their fierceness is unexpected.  They get the upper hand because they look too tender to  do any damage–and yet they ultimately care so very deeply they’re willing to lay down their lives to defend what they love.  Durant from my story Gentle Fire is definitely this type.

The No-Nonsense Mentor

A comic I drew back in 2013!

Forget the wise old man smoking a pipe and delivering quiet (if vague) words of wisdom; I like the mentors who tell it like it is and won’t put up with your whining, who whip ya into shape, and have a sharp wit to boot.  Think Gandalf, Alfred Pennyworth, Obi-Wan from the prequels, and Captain Pellew from the Horatio Hornblower TV series.  Dr. Livesey from Treasure Island kinda fits this category as well.

I think I like this type because the “wise old man” mentor type seems to deliver very vague advice and let the hero figure out the context/deeper meaning on his own.  And if I were a young hero-in-training, I would be incredibly frustrated.  Either tell me what to do point blank, or let me do it my way.  No waffling in between those options, please.  And the no-nonsense mentor does not waffle.  Their advice is “take it or leave it.”  That, and I love a sharp wit.  🙂

Honest, Honorable Men

These guys get labelled “bland” or “boring” because All Girls Want Bad Boys–until we’re pestered by that one boy who won’t take no for an answer, and then our distaste for honorable men comes back to bite us.

Ahem.  Sorry, got sidetracked.  But seriously, what’s wrong with a respectful and honest guy?  Just because they lack an edgy dark side doesn’t mean they’re boring.  Case in point would be Charles Darnay from A Tale of Two Cities.  Many people compare him to Sydney Carton and declare Sydney a more interesting character.  But that doesn’t mean Charles is one-dimensional.  He makes mistakes.  He should have told his family he was heading back to France.  His pride was nettled as Englishmen ridiculed the French aristocracy, the class to which he belonged–even though he had renounced his heritage.  And just look at his interactions with Lucie—when alone with his beloved, this honest, straightforward, principled young man turns into a sentimental softie who calls her pet names.  It’s adorable.

(And from a story analysis perspective, if Charles hadn’t been honorable and honest, Sydney would probably not have been inspired to change.  Comparing himself to Charles showed him what he could be, if he just made the effort.  But that’s another topic for another post.)

Other honest, honorable characters are Jarrod Barkley, Daniel Deronda, Mr. Darcy, and Edward Ferras from Sense & Sensibility, and James Green from Mercy Street.  A female example would be Jane Eyre (actually,  we could use  more female characters in this category.  I specified male characters because I respect those qualities, and I”m tired of the bad boy attraction, but women ought to be honest and honorable too.)

The Leader

This is how I picture Peter Pevensie!

I love a man who takes charge (without being a bully) and who knows what to do in the situation.  A man with initiative and willing to plunge right into things and get involved.  I can’t express how much I love the leaders!.  Characters like Jarrod Barkley, Captain America, Peter Pevensie, Aragorn, Hadley Fraser’s Raoul from The Phantom of the Opera, and  Lucky Jack from Master and Commander: The Far Side of the World.

I like the leaders because, first of all, that is the role God assigned to men.  And I respect a man who embraces that role and doesn’t let the culture dictate otherwise.  It’s also quite admirable when a man sees what needs to be done and steps up to the plate, takes the responsibility of handling a sticky situation and tries to solve the problems that get thrown his way.

The Tragic Hero/Antagonist

Henry Jekyll

Often presented in a cautionary tale, I like the heroes who definitely have a downward arc, but who also have either a valid point about the situation or good intentions.  Characters like Javert from Les Miserables: he’s often viewed as the antagonist with no room for mercy or grace in his mind–but think just how sad that is!  Also, as much as I root for Valjean, he did break his parole.  Javert was justified in at least locating the fugitive.

Other such characters would be Robert Angier from The Prestige (film), Dr. Jekyll from the 1994 concept album of Jekyll & Hyde.  Oh, and Boromir, my goodness.  Possibly also Maedhros from The Silmarillion; I relate to that guy more than I should (we’re both the eldest, both responsible, both very honor/duty driven, devastated by any mistakes that violate those last two values…)  And I would argue Gale Hawthorne fits into this category.  Because he was determined, intelligent, intuitive, and creative.  And he misused all that, even though he was trying to help win the war.

I am honestly not sure why I like this kind of character.  I don’t enjoy watching someone destroy themselves–maybe it’s a combination of respect for whatever good intentions the character has, plus a sobering warning.

Silk Hiding Steel

These are the ladies who seem like products of their time (in historical fiction) or the so-hated doormats in a contemporary setting.  These ladies are actually not doormats.  They are quiet but firm, gentle but principled–and as such, when push comes to shove, they are unflinching, industrious, and intelligent with spines of steel.  Lucie Manette, for example.  She was gentle and compassionate, and she spends most of the book caring for her family.  She also followed her husband to France when he was unjustly imprisoned, worked bravely in a foreign country where she was in constant danger of being also imprisoned herself, and every day, journeyed to a corner of the street where her husband might be able to see her if he could get to one of the upper windows of the prison.  And she stood there for two hours to let him catch a glimpse of her when he was able to.  Every day.  Just to encourage her imprisoned husband and remind him that she was there for him.  She also suffered no breakdowns, and she persevered through apprehension and uncertainty for two years.  Oh, and the Reign of Terror was going on during this time.   Lucie swoons only after her husband is unjustly imprisoned for the second time and sentenced to death.  How in the world is she a weak character?

Or take Christine from The Phantom of the Opera.  She seems naive and overly-trusting–but notice that she trusts only those people she considers friends.  Which at first included the Phantom, but after she learns his true identity, she flees from him and never ultimately trusts him again.  She also, after being lied to and betrayed by the man she considered her mentor, was not afraid to love again, and trusted Raoul to protect her (even though she disagreed with his methods later).  And after all that–she remained compassionate toward the man who had hurt her so badly.  Christine is awesome, guys.  For deeper analysis of her character, check out my post here.

Jane Eyre also fits this Silk Hiding Steel category, and Elinor Dashwood , Fanny Price, Emma Green from Mercy Street, and Lisa Carew from the 1994 concept album of Jekyll & Hyde.  Probably others I can’t think of just now.  🙂

So there you have it, some of my favorite character types!  Are there any more you would add to the list?

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55-Thwarted Steps (Dr. Jekyll)

Artwork Post – Long Overdue

I’m so sorry, guys.  I didn’t mean to wait this long!  Initially, I had very little artwork to post; then I got busy; then I got sick.  But when sick, I always get the urge to draw (putting the down time to good use, I guess), so behold an avalanche of artwork!

A couple of weeks ago, I picked up a colored pencil tutorial book at Hobby Lobby and studied it thoroughly.  One technique looked interesting: laying down the values of the drawing with a black (or brown) pencil before adding color.  So I gave it a try…

The black-and-white values as the first layer…

…and here’s the finished product!  I like this technique!  Though it’s not the only one in the book; I’ll try some of the others later.

Another pencil drawing with the same technique (called “grisaille”), except this time, I used a black pencil to draw the values of the trees and a brown pencil for the values everywhere else, since the rest of the picture wasn’t supposed to be as dark.

The book also explained how to get rid of that white-ish waxy buildup that happens after several layers of color: rub the picture, lightest parts first, with a cloth or paper towel until the colors are uniformly smooth.  It’s one way to get rid of the sketchy pencil look that I complained about in my New Year’s artwork post.

Sloppy doodle of Charles Darnay on computer paper, done while listening to A Tale of Two Cities musical soundtrack.

Sketch of James Barbour as Sydney Carton, done while watching A Tale of Two Cities concert (and simultaneously dying inside of feels).

Slightly crooked drawing of Lennox, my character from Empty Clockwork, laughing at something.  He’s a generally cheerful fellow.  🙂

Drawing that I intended to be Mary, from my western story, but it didn’t turn out quite the way I wanted.  So it’s just a random girl putting her hair up.

It’s a head canon of mine that Susan Pevensie reads her mother’s old Good Housekeeping magazines, so here Susan is, curled up and studying household economy.  Also, I drew that pose entirely from my head with no reference!

Although I chickened out at drawing feet and so covered them with the blanket.  🙂

Once the children grew up in Narnia, Lewis describes Susan as “a tall and gracious woman”, so here she is, welcoming visiting dignitaries or ambassadors, or people like that (and hey, at least I tried to draw hands!).  I don’t see Susan being a flashy dresser or weighed down with elegance and jewelry; she’s sensible and practical, and would probably favor a sensible and practical style, though also one that befits her rank.  The place she would splurge with ornaments, however, would be her hair; you have all that gorgeous hair, and you’re going to want to do something special with it.

The Pevensies and Caspian discover fanfiction of their stories.  From left to right: Caspian, Edmund (standing), Peter, Susan (also standing), and Lucy.  Behold also my awesome back-of-the-computer-screen drawing skills (haha), though I am inordinately proud of that mouse and mouse pad, for some reason.

Drawing may or may not have been inspired from a real life pet peeve.  🙂

That’s all for now!

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55-Thwarted Steps (Dr. Jekyll)

Further Narnia Thoughts – A Confession, A Rant, and Personal Therapy

The Confession

You may have figured this out already, but I don’t like the Walden Media adaptations.  I enjoyed Peter, His Siblings, and Family Is Important The Lion, the Witch, and the Wardrobe when it first came out, but–ahem–I was 13.  We’ve all done things we’re ashamed of.

By age 16 and when Jerk Peter Prince Caspian came out, I was a bit more mature–mature enough to nearly succumb to traumatic shock at how much the story had been changed.  (Am I being sarcastic?  I don’t even know.)

And by age 18 when The Voyage of Self Discovery & Multiple Aesops The Voyage of the Dawn Treader came out, I was mature enough to succumb to neither extreme and to simply laugh at it. (*whole crew sailing into mysterious green mist of ambiguous kidnapping power* Caspian: “Now is the time to be strong!”  Me: “Oh, really, sir?  No kidding–I never would have guessed.”)

So, that’s the confession.  It leads straight into…

The Rant

Those paragraphs were not the rant, believe it or not.  But because I dislike the  movies, I get really annoyed by movie-based depictions.  I looked up Narnia fan art yesterday, and most of it was movie fan art.  There’s nothing wrong with that, but I’d love to see more depictions of how the artists picture the characters.  And on that note, I’d love to see more depictions of blond Caspian.  Lewis in The Voyage of the Dawn Treader describes him as a “golden-headed boy” (though such a description is never given in Prince Caspian, so I understand how readers would get a different image fixed in their minds).

Anyway, it didn’t take long for me to get tired of seeing Movie-fan art.  So then I looked up head canons.  About 45% were movie-based, 45% were odd or just didn’t sound like the characters Lewis described, and the remaining 10% were mostly okay.  It’s not a huge deal, but I want more of the book characters!  In particular, I’m tired of seeing fan fics and head canons with:

  • Modern-sounding dialogue
  • Hidden angst in the characters
  • Susan/Caspian ships
  • PHOTOSETS OR GIFS OF SUSAN/CASPIAN THAT ARE NOT NECESSARILY PG RATED I AM NOT MAKING THIS UP AND I AM COMPLETELY DISGUSTED (okay, I saw this only twice, but that was one time too many)
  • Unholy romantic pairings (you think Narnia escapes this?  Guess again)
  • Peter as the more level-headed, grounded one
  • Peter’s protective nature being magnified above his other qualities
  • Blond Peter
  • Completely logical Susan
  • Fashion/make-up loving Susan prior to The Last Battle
  • Feminist Susan/defense of Susan’s behavior in The Last Battle
  • Sassy prankster Edmund
  • Ignorance of Edmund’s thinker, justice-focused nature
  • Caspian as anything other than an earnest, cheerful, sometimes hesitant young man

The Personal Therapy

Yesterday, I began drawing my own fan art, and one piece depicts the reactions of the Pevensies and Caspian discovering fan fictions written about them.  I also began writing an essay discussing Book-Peter’s personality and character arc and relationships with others.  It quickly turned into a dissertation, and I shall put it in my “A Few Notes About…” series, although I’m going to try to finish Part 2 of my post about Christine Daae first.

It’s amazing how I’ve read and loved the books for 17 years and still notice new things about the story and characters.  For instance, while reading through The Horse and His Boy, I noticed this about Susan: she did not rush into a marriage with Prince Rabadash.  She judged him by his actions rather this appearance, race, or culture, and when she realized he was in truth spoiled, arrogant, cruel, etc., she made up her mind not to marry him.  And she did so of her own initiative; her answer to Edmund’s inquiry about her decision is an unequivocal no.  She’s not flighty or clueless when it comes to romantic relationships.

After Rabadash has been captured and imprisoned for unprovoked attack upon Archenland, the lords of the court mention that they are justified in executing Rabadash for his treachery.  But Edmund the Just argues against this–he points out that “even a traitor may mend.”  Barely two minutes later, Edmund tells Lucy that he doesn’t believe Rabadash would repent and mend–but was willing to show him mercy anyway.  A second treachery, however, would not be met with such mercy.

Hopping ahead to Prince Caspian, it melts my heart that the Pevensies were the closest thing to a loving family as young Caspian had.  His aunt disliked him, and Miraz, though initially willing to have Caspian inherit the throne, clearly never loved him.  I wish Lewis had shown a little more of the interactions between Caspian and the four Pevensies (I posted about that here).

What’s also amazing is Caspian did not grow up bitter and angry despite his lonely childhood.  He was unsure of himself, hesitant to take the throne, but–even after learning that Miraz murdered his father, after having to flee for his life, and after having to grow up quickly while barely a teenager–he remains humble, dedicated, and able to love.

He is also realistically young and adorable.  For instance, though he is taught Rhetoric (mentioned in Prince Caspian) and uses it in official situations, notice how informally he speaks around the Pevensies and other comrades.  He greets Eustace cheerfully and is somewhat amused by him (though this sentiment quickly fades).  He is instantly smitten with Ramandu’s daughter.  And he jumps overboard himself to save the three children struggling in the sea, though he could easily have ordered someone else to do it.  In short–Caspian is precious and must be protected at all costs.  Do not malign his character.  Or I will find you.  And I will kill you.

And lastly, more head canons:

  • When Peter was about 15, he shot up several inches in a growth spurt, and ended up lanky for about two years.  However, this did not happen as he was growing up in Narnia, because of the physical exercise he kept up.
  • When a king of Narnia, Edmund usually listened to what everyone had to say and only then spoke up, usually with an armor-piercing question or very obvious solution that everyone else had missed.
  • Susan learned to play the harp in Narnia, and she became quite good at it.
  • Though Peter discourages any suitors unworthy of his sisters, he’s particularly protective of Lucy, since she’s the youngest, very innocent, and his favorite sister.
  • In fact, he knows that Susan can hold her own, but that Lucy would be entirely too kind and sensitive to anyone obnoxious, thereby accidentally giving the wrong suitors hope.
  • Lucy has no idea that she is Peter’s favorite sister.  It has never crossed her mind that you can even have favorites among family members.
  • Lucy likes to play outside, and she brings home anything of interest that she finds: a feather, a oddly shaped rock, and colorful pebble, an old snail’s shell, colorful leaves, bunches of flowers…
  • Caspian is terrible at arithmetic.  (Lewis never even lists math as one of the subjects he was taught, though he surely learned it at some point.)
  • While he goes about his daily duties, Caspian often wonders what the Pevensies are doing at that moment in their world.
  • Early in his reign, when he found himself confused/overwhelmed by some political matter, he found himself wishing he could consult the High King.
  • Which led to the hope that just perhaps, Aslan would let the four of them return one day.
  • He even began to look for them at unexpected times.
  • On the other hand, Caspian did not realize it was the Pevensies (and guest) who appeared in the Narnian seas…he just saw three people struggling in open water and promptly dived overboard (like the precious, caring person that he is).
  • Caspian revived the art of navigation in Narnia…by applying the astronomy principles he learned from Dr. Cornelius.
  • As much as he loved his astronomy lessons, he also loves just stargazing for fun.
  • During the water shortage on the Dawn Treader, Caspian actually shared some of his rations with Eustace, and Edmund shared his with Lucy (Lewis states that Edmund and Caspian had been sleeping badly since the shortage began; and given their natures, it’s conceivable they were looking out for the younger characters).
55-Thwarted Steps (Dr. Jekyll)

Further Narnia Musings – Of Logic, Motives, and More Headcanons

I’m re-reading The Lion, the Witch, and the Wardrobe and noticing new details, even though I’ve read and loved the books for 17 years.  For instance, the other day, I dissected Edmund’s argument to Peter in Chapter Six:

“Hush!  Not so loud,” said Edmund; “there’s no good frightening the girls.  But have you realized what we’re doing?” … “We’re following a guide we know nothing about.  How do we know which side that bird is on?  Why shouldn’t it be leading us into a trap?”

“That’s a nasty idea.  Still—a robin, you know.  They’re good birds in all the stories I’ve ever read.  I’m sure a robin wouldn’t be on the wrong side.”

“If it comes to that, which is the right side?  How do we know that the Fauns are in the right and the Queen (yes, I’ve been told she’s a witch) is in the wrong?  We don’t really know anything about either.”

“The Faun saved Lucy.”

“He said he did.  But how do we know?”

Edmund’s arguments seem to hint that seeking evidence and understanding presuppositions is the realm of skeptics, and that blind faith the habit of religious people.  And his first point is sound—they knew nothing about the guide (and Peter’s counter-argument is not that strong).  But look closely at the rest of Edmund’s argument—and his motives for making it.

Edmund has already sided with the Witch.  In fact, he knows she’s a Witch and knows she is dangerous; yet he doesn’t want to admit he’s wrong or give up his desire for glory (and more Turkish Delight).  His argument that “we don’t really know anything about either” is incorrect.  Yes, the children could seek more information about the situation.  But Edmund knew what the Witch had promised him and what she wanted in exchange.  And Lewis later reveals that his “beliefs” about the Queen were just an excuse: deep down, Edmund knew the Witch is bad and cruel.

He goes on to say that the Faun “said he [saved Lucy].  But how do we know?”  This is also incorrect.  Lucy said the Faun had saved her.  And Lucy had told the truth about Narnia, and Peter and Susan testified to the professor that Lucy always told the truth.  The strength of her word should have been reason enough to believe that the Faun did indeed save her.  Furthermore, the children had found Tumnus’s cave destroyed and a note inside condemning him for harboring spies and fraternizing with humans—which corroborated Lucy’s account and provided the children with more information about who the Witch was.

Thus, Edmund’s argument appears solid, but he deliberately omitted some information and misrepresented the rest.  And yes, the children would do well to gather more information about the situation.  But they were not operating on blind faith.  They did have evidence—and the testimony of someone who never lied.

And I don’t believe Lewis implied that seeking proof is wrong.  Peter says only moments later to Mr. Beaver, “Not meaning to be rude [about determining whether he’s a friend] … but you see, we’re strangers.”  And to this, Mr. Beaver shows his token of truth: the handkerchief Lucy had given to Mr. Tumnus.  Lucy recognizes it, and if it had any monogram or distinctive feature, the others should also have recognized it as hers.  (In fact, it makes sense that there was some kind of identification on the handkerchief; a plain white one could belong to anyone, and that handkerchief had passed through a couple of hands already.  It must have had something that made Lucy recognize it as hers.)  It’s common sense to gather evidence and discern it—but in this case, Edmund simply didn’t want to admit that the Witch (and therefore himself), was wrong.

Even while under the sway of the Witch, however, Edmund put together an argument that at least looked solid—and he did have valid points about following a guide they knew nothing about and the chance of getting back home (although perhaps he wanted to weaken Peter’s faith in who was right, as Edmund intended to bring his siblings to the Witch, not back home).  This and other details scattered through the series created my belief that Edmund is the logical one, not Susan.  Susan is practical and sensible—but Edmund generally sees (and points out) what should be obvious.  He seems to be the thinker sort, but without being stereotypically quiet.  If anything, he speaks his mind and is incredibly straightforward.

Head canon set #4:

Caspian doesn’t lose his temper often, but he he does, it ain’t pretty. (Canon-based; see The Voyage of the Dawn Treader.)

He is easygoing by nature, but also stands firm when necessary.

Susan is what we call an “old soul”.   Lewis says she was “no good at schoolwork (though otherwise very old for her age).”

She also likes to dance, and she’s good at it.

Edmund couldn’t care less about this, so Peter usually dances with Susan when she wants to.

Susan is the tidiest of the four, and she gets frustrated with her siblings for leaving their stuff out.

Edmund, for instance, leaves his books and papers literally anywhere.

That said, he usually remembers where he puts his belongings.

When he forgets (or when somebody moves them), he gripes about the problem until the missing items are located.

Peter can’t be bothered to tidy all his stuff, though he’s often in a hurry or just preoccupied.

And he has a nasty habit of letting dirty socks pile up under the bed.

Needless to say, the boys’ room is a mess.

Which drives Susan nuts.

Lucy also makes a mess when she works on a project; she works best in creative chaos.

Contrary to the Pevensies, Caspian is actually rather tidy.

Lucy’s favorite color is purple: not dark purple, but a soft lavender shade.

55-Thwarted Steps (Dr. Jekyll)

Even More Narnia Musings

I’ve been thinking about the characters on and off all weekend, about their amazing differences and strengths.  I even created character boards on Pinterest for Peter, Susan, Edmund, Lucy, and Caspian.  And I’ll probably create more Narnia character boards later.

I also want to read the books again soon and draw the characters.  It’s about time somebody drew Caspian with blond hair–I’ve seen only one artist do that (artist Dawn D. Davidson, although I can’t find her DeviantArt account now.  She must have deactivated it).

Headcanon collection #3:

  • Never underestimate how righteously indignant Edmund can get on behalf of his friends and family.
  • He can be found with a book half the time.
  • The other half of the time, he’s out and about, playing sports or going somewhere important.
  • Edmund’s middle name is James.  (I’ve had that headcanon ever since I was a kid!)
  • He decided to go to Oxford after graduating school.
  • Caspian wears this silver pendant thing while sailing on the Dawn Treader.  No idea why; he just likes it.
  • Once Caspian becomes close to the Pevensies, he lets himself be far more cheerful and informal* and generally says what he thinks.
  • And the Pevensies are the only friends he can do that with.  (Doctor Cornelius was more of a guide and tutor than a comrade).
  • Caspian prefers casual or informal outfits to court finery.  He never feels fully himself when all dressed up.
  • Susan is kinesthetic** (a hands-on learner).  One reason she’s so good at archery, but not much good at schoolwork.
  • She is also good at handling interpersonal conflict.  She’s gracious yet focused.
  • There are times, however, when she gets very annoyed with others’ stubbornness and rudeness.
  • Susan likes wearing simple but pretty sweaters.
  • Lucy likes to paint with watercolors.  And always makes a huge mess on the table with her papers and paints.
  • Paint often ends up in Lucy’s hair.
  • Susan insists on combing Lucy’s hair after a painting episode and scrubbing out any color.
  • Therefore, Lucy took to cleaning up her paints in record time and fleeing the general area until Susan was thoroughly involved in something else.
  • Which is how Lucy made it out the door once with a streak of purple paint in her yellow hair.
  • Actually, she cleans her art mess only half the time.  The other half finds her abandoning the project for another interesting activity.  (She would get distracted while waiting for the paint to dry.)
  • Similar incidents of books/playthings/games/projects abandoned in this manner can usually be traced to Lucy.
  • If Peter needs the dining room table when Lucy’s paints are out, he (gently) pushes the paint supplies to the middle of the table and uses the cleared end.
  • Edmund just sets his books and papers amid the mess and works around it.
  • Peter hates visiting the Scrubbs (before Eustace was un-dragoned, especially).  There’s very little to do, the food is revolting, and he always gets the idea that Aunt Alberta judges his parents for their lifestyle choices–among other things, the schools they chose for their children, the storybooks they let them read, and the activities they let them do.
  • Not to mention that Eustace acts as though he is superior to his elder cousins because of his great knowledge of Facts.  Peter knows good and well that Eustace would be overwhelmed by any real scrape, and tries to keep an eye on him whenever there’s a possibility of something going wrong.
  • Aunt Alberta dislikes Peter because of his take-charge and protective nature.  She fears he will grow up to be a demeaning sort of person.
  • Susan tries to be gracious and welcoming whenever her cousins come over, and listens patiently (if reluctantly) to Eustace’s endless recitation of Facts and Aunt Alberta’s feminist lectures.
  • Edmund hides when his cousins come over.
  • Lucy finds his hiding places and joins him.  Before LWW, this was the only thing he would willingly share with his little sister.
  • Occasionally, Peter finds their hiding places and requires that his siblings come out and be polite to their guests, while admitting it was the last thing he wanted to do himself.  But that made no difference–they had to be respectful.
  • Other times, however, Peter just lets them hide, not wanting to subject them to this rot.

*Canon based, actually.  Look at the difference between his behavior around his men, the governor of the Lone Islands, and Ramandu and his daughter, and his behavior around the Pevensies.

**Also canon based.  Lewis said she was not much good at schoolwork (though otherwise old for her age)–and that she was good at more hands-on activities.

55-Thwarted Steps (Dr. Jekyll)

More Narnia Musings

It occurred to me the other day that Lewis never stated the race of the Telmarines.  All he said was that they were pirates who roamed the south seas.  They could have been of any nationality.  But since Caspian is described (in The Voyage of the Dawn Treader) as blond, and his aunt Prunaprismia is described as red-haired, that seems to indicate European heritage.

But the Telmarines probably had south seas native heritage mixed in, as Prince Caspian says that these pirates “took the native women for wives.”  On the other hand, Lewis generally specified if someone’s coloring was darker (or in the case of the White Witch, lighter) than the European norm.  Which seems into indicate that the Telmarines may have at least looked more European than anything else.

On a different note, I’ve seen some misconceptions about the Pevensies floating around.  Namely, that Edmund is a sassy prankster, that Peter is the more level-headed, grounded one, and that Susan is the logical, down-to-earth one.  I think this is all from movie influence.  The books’ descriptions are different.  Peter, to start with, is not only bold and adventurous, he’s the one who totally understands a kid’s propensity to hide and play jokes.  He even points out how Lucy could do it better: “You’ll have to hide longer than that if you want people to start looking for you.”

Edmund, on the other hand, is straightforward (“If you’re not still too high and mighty to talk to me, I’ve something to say which you’d better listen to”), logical, and down-to-earth.  In LWW, he points out that they were following a guide they knew nothing about, and probably couldn’t get home from there.  In PC, he was bugged by the unexplained fact that Cair Paravel had become a ruin in a single year–and he’s the one who figures out the time difference between the worlds.  His plan for following the coast and the streams to Aslan’s How was incredibly simple and logical–he just forgot to factor in geographical changes because of that time difference.  (He was also still a kid; give him a break.)  In VDT, he is said to have read several detective stories, and he’s the one who pointed out the strangeness of the finding clothes and weapons scattered on one island, but no body and no bones and no signs of a fight.  Nowhere in the books do I see evidence that Edmund would be a sassy prankster; and he grew up to be a “graver, quieter man than Peter”.

Susan is practical, but not inherently logical.  In fact, in some instances, she is downright illogical; in PC, she is too afraid to see Aslan at first, even after Lucy had been twice proven right, and (as time went by) the testimony of the siblings who could see Aslan should have convinced her.

More head canons:

  • Susan loves reading her mother’s old Good Housekeeping magazines.
  • She also taught herself to knit to help the war effort.
  • Her outfits are simple and stylish, but she doesn’t pay that much attention to her looks (Lewis doesn’t describe her as focused on appearance until The Last Battle).
  • Peter is dedicated and responsible, but if a duty isn’t pressing, he pauses to have some fun with his siblings.
  • I see Peter being, not focused on his looks, but after that first trip to Narnia, a more or less neat and/or sharp dresser.
  • Edmund, by contrast, couldn’t care less about his appearance and dress, and even while a King of Narnia, favored a simpler style.
  • Edmund is somewhat bookish.
  • He also has a sweet tooth (though this is based in canon: in PC, the trees’ food looks so much like chocolate that he tries a piece of it).
  • Lucy is the only morning person of the four of them.  Edmund is the hardest to wake up in the morning.
  • Lucy goes barefoot whenever possible in the summer.
  • She also likes climbing trees.
55-Thwarted Steps (Dr. Jekyll)

Random Narnia Musings

I thought about the Narnia Chronicles last night and the characters (really need to read the books again)–and I realized something interesting about Prince Caspian.  There is a time gap between the end of the duel and battle and the gathering in which Aslan sends the Pevensies back to England.  The book says:

Next day messengers (who were chiefly squirrels and birds) were sent all over the country with a proclamation …

All over the country, mind you, which must have taken some time.  Lewis doesn’t specify how long that time gap is, but it had to be lengthy enough for the messengers to travel throughout Narnia, for the Telmarines to talk over the  matter among themselves, and then for the Telmarines to travel to the glade of Aslan’s gathering on the appointed day.  I’d estimate two to three weeks, since humans can’t travel as fast as birds and squirrels.

And during that time–I totally see Caspian making friends with the Pevensies, spending any available time with them.  Lewis doesn’t say this directly, but since Caspian was so interested in the old Kings and Queens, he would want to get to know them.  Certainly by The Voyage of the Dawn Treader, Caspian and the younger Pevensies greet each other like old friends, and he and Lucy have no recorded interaction in Prince Caspian.

So I totally see Caspian bonding with the Pevensies more quickly than he’d bonded with anyone in his life before, asking questions about their lives during the Golden Age (and getting confused about some events because the siblings would interrupt and correct each other during the narrations), and learning bits and pieces about their world.   Susan and Lucy would no doubt feel sorry for his lonely childhood, and would go out of their way to make him feel accepted and welcomed among the four of them.  I could actually see Caspian bonding more with Lucy than with Susan (*glares at Walden Media adaptation*) because they share idealism and faith and hope.  And Lucy would tell Caspian everything she knew about Aslan.

I could also see Caspian still thinking himself insufficient to be king (the feeling probably didn’t disperse instantly), but Lucy would comfort him by reminding him that Aslan would always give him wisdom.  Caspian would no doubt look up to Peter as a mentor and guide (*glares at WM adaptation again), a role Peter would recognize and take seriously.  He was willing to leave Narnia in Caspian’s hands, but he would want to make sure this young prince was equipped for the responsibility.

But I could also see Caspian just having fun with the siblings.  And sometimes feeling it was all surreal, talking with the old Kings and Queens out of the stories; but the next moment, laughing with them like he’d known them all their lives.

Headcanons:

  • Caspian is totally the sort to want friends over for the holidays.  If the Pevensies stayed in Narnia or could travel between the worlds, he would definitely have them over for Christmas.
  • Caspian picks up British phrases from the Pevensies, and those phrases slip into his speech from time to time.  Sometimes without his even realizing it.
  • The five of them had a good laugh over how lost the Pevensies got en route to Aslan’s How and the basic geographical errors they all made.  With Trumpkin cheerfully explaining how grumpy, stubborn, and air-headed these Kings and Queens were during parts of the journey.  Caspian is half appalled at this cheek and half amused by it.
  • He finally works up the courage to ask Edmund to have a sparring match with him.  It’s a close match, but Edmund wins.  And then shows Caspian a few sword fighting tricks that had been forgotten since the Golden Age.
  • Though the Kings and Queens were legends of history, it had been forgotten how the four children came to Narnia in the first place.  Caspian asks about this one day, and Lucy tells him the tale (only briefly mentioning how her siblings did not believe her discovery at first) and shows him the all their gifts from Father Christmas.  Caspian is intrigued by this origin of the Horn and the cordial and the other weapons the Kings and Queens carried.
  • Those weeks between the final battle and the farewells are some of the most solemn, but also the happiest, of Caspian’s life.

So. Many. Feels.