16-Ezra Bridger

A Collection of Art Experiments

Although most of them came out of a whim, or because I was sick and had some down time, or else on a road trip and seeking to redeem the time.  🙂

So it turns out that I’ve drawn Ezra more than any other Rebels character (as of now), with drawings of Kanan taking second place.  Which is a bit odd, considering Kanan is my favorite character which may or may not be obvious, but I have a lot scenes, both from the show and from my imagination, that I want to draw.  So the ratios will probably balance out soon.

What’s really interesting is that before Rebels fan art, I never used to draw faces from the front.  It was too hard to get the proportions lined up and looking accurate to the character.  But front-view and almost-front-view angles account for about half of the portraits of Ezra I’ve drawn–and it’s actually not too hard!  And I’m learning tips and tricks about drawing from this angle, which I hope will carry over into my drawings of other fictional characters!  (I really need to get back to A Tale of Two Cities artwork…)

(Referenced from a screencap from cap-that.com.)

This is one of the drawings I started in the car (and finished once we got to my grandparents’ house).  Doing anything in the car, except listening to music and staring out the window, used to make me carsick–but oddly enough, drawing doesn’t.  Maybe it’s because I’m paying too much attention to my work to notice the scenery whizzing by.

I have a headcanon that Sabine draws while eating her meals (like I do sometimes.  Okay, a lot.)  I also have a headcanon that when she isn’t wearing her armor, she puts a brightly colored shirt over her black jumpsuit.  Which never happens in the show, but probably only because it would be too complicated to animate a variety of costume changes.

Ezra, grumpy because he is sick, and therefore not allowed to join the others on their mission.  Also, Kanan may or may not have confiscated his lightsaber so he would be less tempted to sneak after the crew…

(This is a scene out of my head, and not from the show.  🙂  )

A sketch to practice drawing Hera.  (Referenced from a screen cap from cap-that.com.)  I started this one in the car as well, but then we hit some winding mountain roads, and I did get carsick and had to quit until we got home.

Drawing of Poe that I did for Gingersnap’s birthday present–because once again, I was too sick to decorate an elaborate cake the way I usually do.

So this is the first artwork of 2018, and I drew it kinda on a whim.  I was playing Scrabble with my parents and brother Chris, and they were taking a long time to finish up their turns.  So I grabbed my sketchbook and started work on this.  And then finished it at 5:00 am the next morning, to do something slightly more productive than staring into space and bemoaning a second round of sickness.  🙂

It’s Kanan from Season 3, soon after A Plot Twist That Completely Wrecked The Fandom and shortly before Some Very Important Character Development.  Desperately trying to avoid spoilers here, though the picture itself is kind of a spoiler.  I’ve said it before, and I’ll say it again: Kanan deserves so much better than he gets.

(Also referenced from cap-that.com‘s fantastic collection, and no, they’re not sponsoring me.  I’m just raiding their gallery.  🙂 )

Sabine from Season 3.  I initially just wanted to color her hair, but Chris suggested I add touches of color to the rest of the drawing, rather than coloring one element and leave the rest monochromatic.  This was the result.  I’m still trying to decide whether I’m pleased with it; kinda, yes, but I definitely need to improve my colored pencil rendering.  🙂

(Guess where the reference photo came from.  Yay, you got it!–cap-that.com!)

One of my 2018 art goals is to learn to paint portraits in watercolor.  So here’s a portrait of Durant, although I painted it the other day because I was sick, and bored, and just wanted to paint something.

I suddenly realize that most of my depictions of Durant have him looking down at something.  Hmm, I’ll have to fix that….

Aaaaaand I finally finished my portrait of Thrawn!  Eh, sorta.  The humanoid species* are actually hard to draw–they’re close enough to human proportions that you think, “Oh, this’ll be easy”….but they’reactually just different enough that no, it’s not easy.  *headdesk*  It’s why I struggled to draw first Hera and now Thrawn (though I had no problems with Asohka.  Go figure.)

Anyway, this was kind of a commission from Chris, who really, really wanted me to draw Thrawn, and still really, really wants me to depict him in color.  And I really, really want to draw Thrawn in colored pencil particularly, but I have to improve my portraits of him first, and then improve my colored pencil technique.

*Thrawn is a Chiss

Testing out my colored pencils on the new drawing paper I got recently.

Painting various Star Wars species counts as  portraits in watercolor, right?  Of course right.  🙂

This was also done kinda on a whim, and for the same reasons as Durant’s portrait (sick/bored/wanted to paint).  The camera actually messed up the background; the colors are less blue and more red-violet/purple.  Other than that, I’m pleased with this one!  I actually think it turned out better than my pencil drawing…

And I definitely want to paint the rest of the Rebels characters now!

16-Ezra Bridger

More Rebels Fanart, Multiple Mishaps, & Concept Art

I’m still at it, and I still want my show back and may or may not still be mad at The Last Jedi for booting it off the TV schedule.  Also, I will not be seeing The Last Jedi, because when Chris returned from the theater today, he told me the movie wasn’t something I’d like.  If he’d thought that I would like it, I would have gone to see it, probably, but my initial misgivings were justified and I hate being right sometimes.  So that’s that.

Back to Rebels.  I am very scared that someone is going to be killed off before/during the Season 4 finale.  Most of the fandom is betting that the victim will be Kanan.  If that is the case, I will probably cry.  On the other hand, that seems like such an obvious plot device, that I wonder if the filmmakers will actually go with it–and due to Kanan being a mentor character (though he’s also a protagonist in his own right), the fandom predicted that he would be killed off in every new season.  Which didn’t happen.  Kanan was put through a physical and emotional shredder each season, definitely, but he’s still with us.

And yet there’s just enough uncertainty that I’m very scared.  And going into a nervous breakdown over the hiatus.  I may also be taking this way too seriously.  🙂

To balance out all this nail-biting panic, I like to draw funny stuff–because, let’s face it, the SpaceFam is just as quirky and realistic as any family here on earth.  So Hera discovers, with some annoyance, that the rest of the crew hijacked her grocery list.  And kudos to anyone who can figure out which handwriting belongs to each character!  Answers at the bottom of the page.  🙂

Mama Hera comforting her Space Baby (i.e. Ezra).  For some reason, the Prince of Egypt soundtrack perfectly fits the Rebels show–at least in my mind. I’m not sure why–the animation styles are totally different; the stories are different (parallels exist here and there, but you have to stretch both situations to get them to match up), they were produced by different studios, have different voice actors, etc.  However, after listening to the Prince of Egypt soundtrack 383 times, and watching Rebels 135 times, I gave up wrestling with the logic and just ran with the idea.  🙂  These particular lyrics are from the number “Deliver Us” (and if you listen to nothing else from the soundtrack, listen to that song!), and they sound like the kind of thing Hera would say.

Also, have I mentioned Twi’leks are hard to draw?  Hera still looks a little disproportionate to me…

Ezra is such a cutie.  🙂

Another Rebels/Prince of Egypt crossover.  I almost gave up on this piece because after Attempt #224 to draw Hera correctly, I was almost literally blowing steam out of my ears (did I mention Twi’leks are hard to draw?!?!?!?!).  But then I looked up some Rebels screencaps (from cap-that.com), and studied the reference photos closely–and tried again.  Had to erase and redraw Hera’s face a few more times, but it wasn’t too long after that she looked semi-correct.  And so I’m content.  🙂  Actually, I’m glad I didn’t give up on this piece because it turned out beautifully!  The lyrics are from the number “When You Believe”–and quite frankly, that song fits Hera perfectly.

Somebody stop me from doing these crossovers.  Actually, don’t, because they’re too much fun!  Kanan vs. Inquisitor #1, a minion of the Empire trained to hunt down the remaining Jedi.  The lyrics are from the Prince of Egypt number “Playing with the Big Boys”, and that song actually does fit most of Kanan’s interactions/fights with this guy.  (So maybe the soundtrack doesn’t fit the whole Rebels story, and does match individual situations…)

Buuuut I don’t want to draw the Inquisitor again, ever.  He’s freaky to look at and even freakier to draw.  Emmet was incredibly helpful, however, as I muscled my way through this, critiquing how I depicted our dear Sith employee, and how well I’d drawn the lightsabers, and the overall look of the piece.  (I used a screencap from cap-that.com as reference.  And I may or may not have looked at nearly all the Rebels galleries or checked 2,385 screencaps for other art references.)

Kanan’s messy hair was oddly satisfying to draw.  Maybe because it never falls out of place in the cartoon, a break from reality that drives me a bit nuts?  (Actually, it’s because individual strands of hair would be too hard to animate, but whatever.)

So um…what can I say about this?  A scene from the Season 2 finale “Twilight of the Apprentice.”  I can’t decide if I love this or hate it because KANAN DESERVED SO MUCH BETTER HE’S BEEN THROUGH SO MUCH AND DESERVES THE HAPPIEST OF ENDINGS ahem, was that out loud?   But on the other hand, the artwork turned out really well, though I added or removed aspects from the scenery for dramatic effect (e.g. Kanan’s lightsaber is actually not in the frame during this shot of the episode).

(Referenced from a screencap from cap-that.com.)

I randomly wanted to draw Sabine with her Season 2 hair–she gets a new hairstyle/color each season, though I noticed there’s always blue/purple in the mix somewhere…

(Referenced from another screencap from cap-that.com., and I may or may not spend too much time browsing their Rebels gallery for reference/inspiration…)

Emmet pointed out that I need to draw Captain Rex, to add to my collection of profile portraits.  So I did.  🙂  I now draw these portraits facing the opposite direction as the characters appear in the reference photo–that is, Rex was facing the other direction in the screen cap.  It’s a good exercise to train my eye to assess the proportions and shapes of the face rather than just copying directly from the picture.

(Referenced from another screencap from–you guessed it–cap-that.com.)

And then Chris said I needed to draw Asohka Tano, so here she is!  And I am beyond thrilled with how this turned out–I was honestly scared to attempt Asohka because of the complexity of her head and the patterns/stripes on her face and head.  And they’re not even 100% accurate, but her features (a) look like Asohka, and (b) I didn’t want to spend half the night erasing and refining stripes.  So Clone Wars fans, please don’t murder me.  🙂

(Referenced from a screencap from cap-that.com.)

On a totally different note, I mentioned in this post that Christine Smith gave me permission to draw art inspired by her story’s aesthetic, and I have now finished a couple pieces of concept art!  You can read about her story here, and read snippets from the draft here!

This is graphite and white pencil on toned pastel paper.  It was also my plan B, because I had finished a gorgeous drawing of this exact same scene in one of my small sketchbooks.  I was pleased with it, so the next step was to pull out the page and scan a copy into the computer.

So then this happened:

I was less astounded by the rip and more by the fact that I’ve literally never torn my paper taking it out of the sketchbook.  In 6 years of drawing, this was the first accident of that sort.  (Priorities, no?)  Taping the paper proved impossible–the rip was too visible, and so I finally traced the old picture to create new line art and rendered the scene on pastel paper.

Ruins in a forest.  There was a mishap with this one too; I started painting the scene, but didn’t lay down my values correctly.  To get the lights and darks to stand out as they should, I added layers and layers of paint…which eventually turned the layers “chalky” and not transparent the way watercolor should be.  Hoo boy.  Though I’d been painting for hours, and it was 4:00 p.m., I prepared new line art as soon as I realized my first picture couldn’t be saved.  And started painting Version #2 with some trepidation–but it turned out much better!  At least until the scanner ruined the quality of the colors.

So, have any of you readers seen Rebels?  Do you have a favorite picture from this batch?

…..

Okay, the answers for the handwriting mystery: the items “waffles” and “caf” (coffee, basically) are in Hera’s handwriting.  Then the others take over; the explosives and paint requests are Sabine’s handwriting; the droid restraining bolts request is in Zeb’s handwriting; and the earmuffs and meilooruns request was Ezra’s (though that last item was also a prank).  And Kanan’s handwriting is at the bottom of the page–not requesting a grocery item, but a little peace and quiet aboard the Ghost.  🙂

16-Ezra Bridger

Artwork Whatever-Day-I-Get-To-It Post

Seriously, I’ve fallen behind in my Artwork Wednesday posts.  Sorry about that.  On the plus side, I have a lot of art to showcase since it’s been so long!

Only now that I’m uploading this do I notice the terrible photography quality  Sorry, guys.  Ahem.  This is a watercolor doodle/sketch, and I did this freehand (meaning with no line art), and it’s not too bad.  🙂  I particularly liked how the wall and the shadows turned out.

A colored pencil drawing of Easter lilies!  Which subject makes perfect sense, given that it’s almost November.  🙂  Anyway, I had the line art for this sitting in my sketchbook for weeks before I finally finished it, using the techniques I mentioned in this post.

Quick colored pencil sketch (and this drawing is little bitty in my sketchbook, maybe 2″x3″).  Adobe buildings have joined my List of Favorite Things to Draw, along with oranges, pumpkins, sunset cactus silhouettes, and Sydney  Carton.

When my friend HeatherJoy LaHaye (you can read her guest post here) visited New Mexico recently, she snapped a lot of pictures, sent them to me, and gave me permission to use them as painting reference!  (Thanks again, Heather!)  So here are some adobe ruins, rendered in watercolor and copied from one of her photographs.

This is my favorite recent piece, guys: a watercolor portrait of my character Sanchia from Gentle Fire.  It was so thrilling to get her complexion and hair color the right shades, and her expression just right as well!

Also, I meant to paint sewing supplies in the basket and first forgot to sketch them, then quit caring and just made the basket empty.  #lazyartist

And then here are some doodles, sketches, and works-in-progress…

The corner of the cabin that Durant shares with his nephews.  (Soon after snapping this picture, I realized I’d messed up the proportions, so I’ll probably trace it onto a fresh sheet of paper and redo it at some point.)

Durant and soon-to-be Alex.  (Also starring: the shadow of my arm across the paper!)

Sketches for the components of another southwestern painting (that I haven’t actually painted yet).

Sketch of a tropical scene that I will eventually paint.

Doodle of Igor from the 2015 film Victor Frankenstein.  I plan to (a) draw better doodles in the future, and (b) probably review the film, in-depth, after I finish my Christine posts.

That’s all for now, but I’m working on more drawings and paintings–and so I might get another art post up sooner than later!

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16-Ezra Bridger

Weekly Artwork Round-Up

No point in calling it Artwork Wednesday, because this post is (a) not featured on Wednesday, and (b) ridiculously late.

One art problem I’ve faced recently is how to deal with reference photos. Printing every photo I want to draw from uses a lot of paper and ink. Sketching with my laptop precariously balanced on my knees is not only bad for the laptop and my arms and legs, but eraser crumbs get between the computer keys. So…why don’t I just rest the laptop on a table? Because I hate, hate, hate people seeing the reference photo on the screen or seeing my drawing when I’m first sketching. It’s not so bad if the drawing looks like a human with clothes on, but before I get the sketch to that stage…

Anyway, I have  five pictures to show this week!

First up is Sanchia, a character from my semi-western story with a working title of Gentle Fire.  I picture Sanchia so vividly that it was great to capture that on paper more or less easily!  Also notice that the wool skeins drape over her wrists so that I don’t have to bother drawing hands like yarn skeins do in real life.  Especially since she’s paused her work to listen to someone talk.

This is the cabin that Durant and his family live when they first move to the western colonies.  The table is just slabs of wood set on sawn logs, and there are no proper shelves, cupboards, or even beds yet.  But it’s their own house on their own property, and that’s enough for them once they survive the journey.

Nonetheless, Wilson promised to build proper shelves and beds as soon as possible.

I drew this with charcoal–and there’s a funny story to go along with it.  Ever since I began drawing, Dad tried to get me interested in charcoal drawing, because we had a kit and tutorial series somewhere in our detached office.  I was too busy learning to use pencils, however, to turn my attention to charcoal.  Fast forward a couple of years to when I bought an art set only for the little art mannequin to use for drawing poses.  But charcoal pencils were included in the set–and out of random curiosity, I used them to draw this.  And–

I. Love. Charcoal.

I promptly informed Dad about this and thanked him for mentioning that medium and the art set out in the office.  And for the record, my parents are right 99% of the time.  🙂

My brother Chris suggested I draw concept art for my story to get an idea of the atmosphere and aesthetic–so I took his advice and started watercolor sketches in my leather sketchbook.  This is the rancho of another character: Barros (father of Maria, whom I mentioned here, and Teresita, whom I haven’t mentioned yet. 🙂 )

Another watercolor sketch, this one of the books Durant brought to the west.  The bottom one is a book of natural science; the next one up is a biography; the third is a small volume of poetry; the fourth is a novel of some sort; the fifth is  a brief history of the nation; the sixth (the long, grey one) is a primer; and the topmost book is Durant’s personal record book where he jots down financial information, a brief description of the day’s events, and sometimes his nephew’s antics.

Speaking of nephews, here’s Alex, Durant’s eldest nephew.  With his uncle’s hat on his head–Durant has a habit of dropping his hat on the head of whichever nephew is nearest!

Part of me wants to draw Lennox again, and get back to A Tale of Two Cities fanart–but I can’t stop drawing my Gentle Fire characters!  So who knows what artwork I’ll have to showcase next week!

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16-Ezra Bridger

Artwork Thursday – New Art Supplies!

Late is better than never, right?  My internet connection kept breaking yesterday, and so I couldn’t log on here and get the post up.  *sighs*  But here we are now!

While at Hobby Lobby the other day, I saw a beautiful leather sketchbook with soft pages that might hold watercolor nicely.  I decided to take the risk and buy it…

Isn’t it gorgeous?  And when I’ve used up the pages, I think I know how to remove the leather cover and re-use it for another journal.

I also picked up a portable watercolor set…

…which was an impulse purchase, but a good one.  I’ve wanted for years to have a portable watercolor set so I could paint outside and use the scenery around me as reference.

Here I am painting outside!  After getting nearly blinded by sunlight reflecting off those white pages, I prudently relocated to a shady spot.  The journal pages did hold watercolor pretty well–not as perfectly as my professional watercolor paper, but well enough for sketching!

I also tried sketching with pencil in the leather journal…

…but it’s rather hard to erase without shredding the page.  This is my character Sanchia, from my semi-western story.

Same character with some shading and detail.  Not sure which version I like better!

This is myself caricatured as a walnut.  And before you all blink in disbelief and unsubscribe, let me explain: I was goofing off with a friend through text and making her laugh…and then got this hilarious image of myself as nut with a posh hat.  So I doodled the image!  Also, I shall make “sass with class” my personal motto.  🙂

I’ve kept up my crocheting…

…and made a cover for a chair cushion.  I even followed a crochet pattern–sort of.  I’m one of those crocheters who change the pattern as suits their needs.  🙂  No harm in being flexible!

Then at the last minute yesterday, I realized it was Flag Day…

…so I doodled this (and the leather journal holds colored pencil pretty well too–good to know!)

I also left off the stars because it would take until next Flag Day to draw them all!  🙂

And I finally finished a drawing I’d started weeks ago…

…this is Maria, another character from the semi-western.  She’s quiet, but fun-loving, and so she’s jumping off rocks or something like that here.

That’s all for now!

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16-Ezra Bridger

Artwork Wednesday – Back to Watercolor!

Before my watercolor painting frenzy began, I drew a couple of pictures with dry media.

I drew this in the car.  The highway was a long smooth stretch, and so I was able to sketch without worrying about bumps in the road.  And without getting car-sick, which is the real miracle.  🙂

This is my character, Mary, (from the semi-western story) and half of a quote from Pinterest.  The full quote says:

“Typical MBTI Description: INTJs are the cool-headed geniuses of the 16 types.  With their love of objective reasoning and  uncanny intuition, no one can fool this intellectual mastermind.  Actual INTJs: Where are my socks?”

Which is definitely Mary, so here she is, a bit confused.  Although she does use objective reasoning and generally points out the principle or detail that everyone else missed.

I started this one weeks ago, got extremely close to finishing, and therefore, didn’t bother finishing until now.  *headdesk*  Yet another victim falls prey to the “Oh-there’s-plenty-of-time” mindset.  Anyway, I absolutely loved painting all that mist in watercolor–it was difficult keeping an eye on the paint to make sure it didn’t drift into an area where it shouldn’t–but the work paid off!

A tulip tree blossom.

Some daffodils that didn’t turn out quite as detailed as I’d hoped.

But while painting the daffodils, I watched The Fellowship of the Ring–and got a sudden urge to paint a Shire landscape.

So I did.  This is a very small painting, maybe 3″x5″, but that may have actually helped me not go overboard with detail.

That’s all for now!

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16-Ezra Bridger

Artwork Wednesday

Artwork Wednesday is finally back!  There isn’t much to show, I’m afraid, because I often have to choose between art and writing each week.  I’ll have to see if I can fix that and do a little drawing and a little writing each day.

In the meantime, here’s what I did over the last couple of weeks.

This picture was actually finished weeks ago, and I forgot to upload it.  I found some colored pencil tutorials online and used the technique in those tutorials for this picture.  In short, the technique requires many layers and washes of color.  It reduces the “sketchy” look that I complained about in my year-end art roundup, but it also whittles my pencils down really fast.  🙂

Then last week, I returned to watercolor painting…

With this painting, I didn’t worry to much about details and laid down the colors and shadows loosely.  Which was one of my New Year art goals–to quit refining artwork into oblivion.   And this turned out rather well, and I hope it marks the start of a journey out of perfectionism.  🙂

This was supposed to be a nice, sunny, warm painting, and ended up looking more like a summer gothic detail.  At least I figured out how to create really dark shadows in watercolor.

Another suggestion from Chris!  It was a good one–and he’s inadvertently helping improve my skill by suggesting varied subjects.  He also wanted me to draw another picture of Bucky (which is sketched and awaiting refinement) and another picture of Batman.  And then Gingersnap wants me to draw Poe Dameron.  I hope to have those completed before too long!

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16-Ezra Bridger

Artwork Wednesday

Not a lot of artwork to show this week, but it’s because the pieces I worked on were difficult–and I even redid some.  Hopefully, there will be more artwork next week!

Sydney Carton?  Who’s that?  Not someone I mention often, is it?  🙂  Actually, I’m playing around with outfit ideas for  him.  I’ve always pictured him in green, for some reason, and decided to use symbolism in the color: green represents life, renewal, rebirth–but I put him in a muddy shade of green to represent his decayed hopes and ambition.  Brown is often associated with down-to-earth, wholesomeness, dependability–and that’s the color of his waistcoat, the hidden layer of both his personality and outfit.

 

Another pastel paper painting, this time blue paper with indigo watercolor and white gouache.  The scene is one I’ve had in my mind for a long time, though I don’t know where it came from.  Maybe I’ll work it into a story someday, like C. S. Lewis did with his image of a faun walking through a snowy wood.

Creative chaos, and a preview of another work-in-progress.  🙂

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16-Ezra Bridger

Picture Wednesday

Temporarily changing these posts to Wednesday; not sure it will stay that way, but the middle of the week seems like a good time to show what I’ve already accomplished and to prompt me to continue drawing through the rest of the week.

The first piece of artwork is brought to you by New Year’s Day itself.  The name of the piece is *drumroll*–“Mankind’s Greatest Achievement: Seedless Strawberries.”

Also known as “My attempt to make it seem like leaving seeds off the strawberries was a thought-out choice, not an aspect I simply forgot to add.”  And I’m just kidding about those titles.  The title of the drawing is actually “Strawberry sketch”.  Because titles pour from ‘neath my typing fingers with the eloquence of the ages.

Along with sarcasm.  🙂

I’m proud of this painting because I sketched the line art and painted the scenery entirely from memory.  I wanted to capture the fresh, green color of tree leaves against grey clouds.  And on the paper, the trees are a cool green, and the clouds are a warm grey, but for some reason, the digital screen scrambled the colors.  Oh, well.

Now this was a mixed media experiment.  I used Sepia watercolor and white gouache on toned pastel paper.  To my surprise and delight, the pastel paper held the paint quite well, well enough to handle several washes before the paper started peeling.  Also to my surprise, though the paper wrinkled when wet, it dried completely flat.  (What looks like buckled paper in the scan is actually how the paint pooled and dried.)  This may become my new favorite technique–it has the look of my graphite/toned paper drawings, but the fluid smoothness of watercolor.  And Enkie says this painting looks rather like one of those old-time sepia photographs.

Now that autumn is over, it makes sense to paint an autumn picture, right?  Actually, I stumbled across the line art for this in one of my sketchbooks; I had scribbled this landscape months ago and then forgotten about it.  It’s a pleasant surprise to find good artwork while spring cleaning your supplies.

Originally did this in colored pencil; finally rendered it in watercolor.  And once again, the watercolor version is my favorite.  Maybe I’d better figure out what subjects or landscapes I prefer in colored pencil…

I used a technique called “glazing,” which is painting over one color with another.  In this case, glazing pink over yellow and then indigo over pink created more vibrant bands of color than using pre-mixed colors of orange and blue-violet.  I’d used the glazing technique before, but not for a whole painting, and not with such brilliant results.  *adds technique to art knowledge arsenal*

Another free hand, New Mexican landscape, and a painting that I like much better than my last attempt.

That’s all for now!

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